Photo Restoration – Restoring the Unrestorable

Photo Restoration

In this example I will describe some of the processes involved in restoring a badly damaged photograph which has been torn, creased and stuck with tape. Bits of the photo are missing and will need to be replaced and restored.

The Jigsaw. Firstly I cut out all pieces and pasted onto new canvas and the positioned on separate layers to do the jigsaw. This was to accurately gage where each piece needed to be and be in perfect alignment ready for photo restoration. Once happy that the pieces were in place I merged layers. I quickly blitzed the scratches and flecks with the clone and heal tool.

The Tape marks. I selected with the manual selection tool and a slight feather then leveled to the same tone as the picture. Then I fixed the edges of the tape marks with the heal and clone tool.

The face. I copied and flipped and distorted the left eye to make a right eye, then lightened and dodged and burned in using a small brush the skin tones, finally I used the heal tool to get some texture back on the tone. Same with the head piece and flower on head piece from dress.

The Background. Using a large heal tool I recreated the background where needed. The bottom left was made from a section of the bottom right once I fixed it, (the right hand side) I flipped the right and pasted into the left hand side.

The Table / Chair. Again I copied and flipped the chair and cloth, and extensively rebuilt the cloth and centre piece on the cloth just using the slight suggestion of a leaf pattern. I used the four leaves and cut and pasted and rotated until I had four sides of a leaf design, then cloned into the middle one of the white roses below the chair, I final tidy up by trimming the outside.

These techniques are descrided assuming you have some knowledge of Photoshop, so sorry its not a basics type explanation. It also assumes you have an eye for realism. Many thanks for reading.

Neil

Providing a Quality photo restoration service

Photo Restoration. A natural eye and restoring without adding perceived artistic merit

Photo Restoration. Advanced Techniques – An natural eye and restoring without adding perceived artistic merit.

Sorry about the lengthy title but I could find anything more catchy!

Ok so you can use a computer and you can use Photoshop, and you can have a good go at restoring a photo, but does this mean you are a good photo restorer? Not always.

There are a few fundamentals to photo restoration that must be addressed. Unless you can appreciate perspective, light and shade and or the natural environment and how light may affect one object differently under certain circumstances, then this could make or break a restoration.

Example: An old photo which is wrinkled, torn and damaged in the foreground, it’s a landscape with a building and some people in it, they stand in front of their house.

Photo with permission of owner and is subject to copywright.

When restoring land and rough ground, don’t simply grab the clone tool and heal tools and swipe eagerly over the foreground to repaint the grass or rubble or dirt. This can lead to repeated patterns and evidence of short cutting the restoration. Take your time to analyse the scene. If there are tracks on the road or rough ground made by vehicles or carts, look how the ground may have been disturbed and restore it disturbed. Don’t be tempted to clean up and area and make it all nice and uniform and be artistic, restore it, nature is not uniform especially landscapes.

Also examine where the light is coming from, lets say you’ve fixed you foreground and removed the tears and evened out the ground, but does it look restored, if it does it’s not right. You need to place rocks and grass realistically random, and in the case of the tracks make sure the ground follows a natural path of disturbance. The light of shadow can be added last to give the slow moving shadows and rolling tone of the ground, with the old friend dodge and burn. Make sure you use a large soft brush set to 5-12 percent to darken mid tones and think hard where the ground is lower or higher and apply subtle shadow where needed to bring life back to a flat landscape or foreground. Experiment with darkening the shadows too, but don’t over do it subtlety is the key here and realism is the most important.

If you don’t have the eye for this sort of thing then you may miss what’s wrong with your restoration and may never work out no mater how hard you look why it doesn’t look quite right.

One again I hope this helps some people slow down and observe, I know Photoshop is a quick fix sometime but it needs to be used slowly and thoughtfully.

Once again i hope this helps a few people slow down and think hard about the photo before restoring.

Neil

 

Providing a Quality photo restoration service

 

Photo Restoration – Tackling Underwater Images

Photo Restoration.– Tackling Underwater Images

You arrived back from the scuba diving holiday of a lifetime and … oh your photos are not what you thought, blue wishy-washy, lacking in punch and clarity. Sadly this is a property of water, it has the unfortunate ability to filter out the red spectrum of light and thus the further down you go the stronger the effect until eventually there is no red left in the available light. Your pictures will no doubt be a beautiful blue by now.

Correcting this effect is not as simple as it sounds. There is great deal of tweaking to be done. As your reds have completed disappeared it will be a good idea to check the channels of your image. Take a look at the red, it’s all but disappeared, it will probably be almost completely black and devoid of detail. Here it gets tricky, or at least finding the right combination of actions to take, requires some experience.

 

 

Basically the red channel is useless and needs to be recreated from scratch. We can borrow information from the green and blue channels to build one. Once this is done the reconstruction can begin. Sadly this is a topic which I have yet to master and cannot give a clear and concise procedural walk through, as each image has to be treated differently. I did try and produce an action for this but alas whilst working well for some images it ruined others and have therefore concluded it way more involved than my simplistic explanation.

 

I have seen this technique put to very good use and I will be back with the ins and outs once my schedule allows me to bring to you the mysteries of photo restoration and the science that fixes those underwater blues.

 

 

PS. Sorry for such a long break between bogs

 

Photo restorations across the uk